Statement
/ Bio
Salvadoran-born Victor Cartagena was awarded the "Visions
from the New California" grant award in 2004, sponsored by
a seven-member California Artist residency program consortium
and pursued a month-long residency at 18th Street Arts Complex
in Santa Monica in July 2004. In 2004 he received a grant from
the Peter S. Reed Foundation in support of the development of
his work and was nominated for the Joan Mitchell Award. He was
a joint recipient of a Rockefeller grant with Octavio Solis and
Larry Reed for Shadowlight's production of The Seven Visions of
Encarnaciòn produced at the Brava Theater Center in November
2002.
Cartagena received a Wallace Alexander Gerbode Foundation 2001
Visual Arts Purchase Award, the competitive Art Council award
in the year 2000 (currently known as ARTADIA), and 1996 and 2000
Pacific Prints awards. Cartagena was also nominated for the Eureka
Fellowship/Fleishhacker Foundation in 1998, 2002 & 2005-07,
the 2004 & 2002 IN/SITE (formerly SECA) Art Award, the Diebenkorn
Teaching Fellowship from the SFAI 2000 and the 2003 Adeline Kent
Award. Victor Cartagena has been making art in the Bay Area for
over a decade.
Cartagena
tackles numerous social issues in the U.S. such as consumer culture,
homelessness, and material waste. His artistic palette has also
branched out to include sculpture, audio and video. In recent
years, Cartagena has also ventured into the world of set-design,
receiving critical acclaim for his set-design for Greg Sarris'
Mission Indians, a Campo Santo/Intersection for the Arts production
and his collaboration with Larry Reed and Octavio Solis on Shadowlight's
Seven Visions of Encarnacion.
Locally,
Cartagena has exhibited at Southern Exposure, Palo Alto Cultural
Center, the University Art Museum at UC Berkeley, Galeria de la
Raza, New Langton Arts, Ampersand International Arts, Intersection
for the Arts, Catharine Clark Gallery, Euphrat Museum, the Mission
Cultural Center, MACLA/Center for Latino Arts, and the Sonoma
Museum of Visual Arts. In 2002 he participated in the "Espíritu
Sin Fronteras" exhibit at the Oakland Museum with an installation/altar
"Homenaje a Roque Dalton, poeta Salvadoreno." In April
2000 Cartagena participated in the Home Visit project at MACLA
with internationally known installation artist Pepón Osorio.
Cartagena's
work has been reviewed in Artweek, Art Issues, The San Francisco
Chronicle, San Francisco Bay Guardian, The San Jose Mercury News,
The Oakland Tribune, Cambio and El Latino, Hoy (L.A.), among others.
Nationally, Cartagena has exhibited in New York, Philadelphia,
Honolulu, and all over California, including Los Angeles. Internationally,
Cartagena has exhibited in Mexico, Japan, El Salvador, Belarus,
Ecuador and Greece.
Cartagena
has served as Artist-in-Residence at ZEUM, Southern Exposure,
and SF Art Commission's WritersCorps. He has given numerous workshops,
including two Family Sundays and the Matches Program at SFMOMA,
and has presented his collaboration with Log Cabin youth at the
CO-LAB exhibit at SF State University's Fine Art Gallery in spring
of 2002. He teaches Printmaking, Mixed Media and Photography at
Arrowsmith Academy and the work of his students has been exhibited
at SFMOMA's window galleries and Horizons Unlimited. He also teaches
printmaking at Berkeley's New Age Academy. Cartagena has served
on the roster of Leap, Imagination in Learning and Young Audiences
of the Bay Area. Cartagena's work is in numerous private and institutional
collections, including
the Honolulu Academy of Arts, Honolulu, Hawaii, The Contemporary
Art Museum, Honolulu, Hawaii, The Oxbow School of Art, Napa, CA
& the Collection of Egnatia Odos in Thessaloniki, Greece.
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