CURRENT EXHIBITIONS
 

FUTURE EXHIBITIONS

 

PAST EXHIBITIONS

March 21-April 25, 2008
OPENING reception : March 21, 6-8:30pm

HOW FAST YOUR WORLD IS CHANGING
Harrell Fletcher
Christine Hill
Hope Hilton
Jessica James Lansdon
Jennifer Delos Reyes
Markuz Wernli-Saito
curated by Lori Gordon
critical essay by James Servin

UPCOMING EVENTS:

Saturday, April 12th
from 4 - 5.30pm : artist talk and group discussion
with Markuz Wernli Saitô.
This talk will focus on his art residency in Vietnam, his "Shadow Followers" project, and the eventual polemics existing around community, participation and authorship.
http://www.momentarium.org,

March 25 - April 25
Hope Hilton will be leading a variety of 20-minute Silent Walks:
-directly from the gallery during gallery hours (Th+Fr: noon-5pm)with anyone who stops by;
-sunrise and sunset walks in the city - meeting at a location of your choosing;
-going on walks that you suggest and reporting back to you;
-and taking a walk that you lead.
These walks always end where they begin. for more information, visit:www.walkwme.com/

ARTexts, including critical essay by Jim Servin found here: ampersandsfwords.blogspot.com

nota bene:
Gallery hours are:
Thursdays and Fridays : noon - 5 pm and appointment

Markuz Wernli-Saito
Shadow Followers, Returning the Negatives
Photograph by K'Li Ang Va
2007

 

 

 
 

Harrell Fletcher is finding it hard to make art amidst all the troubling events happening in the world. He feels it would be better to offer viewers the chance to witness current events through the syndicated show Democracy Now. He makes an effort to watch this every day, and would like to offer the same alternative to gallery visitors.

Christine Hill presents a selection of catchphrase posters, pulled from the Volksboutique library of positive reinforcement quotations.

Hope Hilton wants to share the silence with you. By creating a journey through movement without sound, she trusts that her silent walks will provide an experience that is both contemplative and insightful. It is a journey that strangers and friends will take, following Hilton as she walks an uncharted path, ending the route where she begins.

Jessica James Lansdon is also working through some guilt. She is questioning why it is that artists still make objects today. Is anything worth saving, worth giving away? The glitz and clutter of a trashy collection lure us in and we see that Jessica has attached each object to a piece of string on the wall: she wants the viewer to sever these ties, to cut the threads, to set these things free, thereby freeing her as well.

Jennifer Delos Reyes is honoring those she loves and admires through song and music. Inspired by a funeral she attended, where the pastor led the service singing the deceased's favorite song, Jennifer doesn't want to wait that long. She doesn't want to wait until anyone is gone. By creating an impromptu choir on site, the gallery will be filled with the voices of those who have come together for a brief moment, to share a song.

Markuz Wernli-Saito wants to return the photographs others took for him in an art residency project in Vietnam. He invites the viewer to choose a roll of negatives and mail them back on his behalf to the residents of Bao Loc, hoping to make amends by returning something that was never his to begin with.

 

As an artist and independent curator Lori Gordon investigates the structure and power of belief, creating projects that attempt to decipher both humanity's and her own connection with the universe. Through collaborative endeavors, she explores the distance between coincidence and intention, with an emphasis on setting up moments that deviate from the expected. In some cases, she is more interested in providing the organized framework around which potential interactions may occur. With all her work, she is more interested in the journey than the destination.

Born 1975 Johannesburg, South Africa. Gordon received her MFA at the California College of the Arts. She is a recipient of the SECA Award nomination and the Murphy Cadogan Fellowship from the San Francisco Foundation. Exhibition venues include Richmond Arts Center, San Jose Museum of Art, Mission17, Southern Exposure, Temescal Amity Works, RockPaperScissors and The Kitchen (NYC). Gordon is the co-founder of Little Red Hen Collective and You Can Have It All. She recently chaired a panel at the University of Regina conference, "Open Engagement", on emerging Social Practices. This year she will be co-curating the Infinite Exchange Gallery for the Zero1 Biennial, and she will participate in the Talking Arts series at the San Jose Institute of Contemporary Art, where she will provide portfolio reviews to artists.